Abundance, abundance maker, Fisbach

Young Directors Project

[…] In Salzburgh Korsunovas didn’t present a work of an apprentice but an expressive work of art with an excellent choreography. The fact that a stage turns into a children playground with a sandpit and the Theban chorus – into a meeting of big headed babies and Mickeys, sounds much stranger than it really is. For the theatrical journey with Sigmund Freud into the world of children and the world of adults, which is tired out by fear, was as interesting as it was convincing.
ULRICH WEINZIERL